My name is Khalil Mater.
Not just a gun trainer, then?
(INAUDIBLE)
(MUSIC PLAYS)
Take off all your clothes.
Apart from your underwear.
(MUSIC STOPS)
(sums)
Turn, please, all the way around.
You like this kind ofjewellery?
Not exactly my taste.
Good.
Your actual response.
Not exactly my taste.
You like animals?
Yes.
Did Salim?
Let your instincts lead you.
And take your time.
It's better to be uncertain than inconsistent.
We never talked about them.
Not even horses?
Never, ever correct yourself.
Don't remember.
(HORSE WHINNIES)
(THEME MUSIC PLAYING)
KURTZ: Lord Balfour.
One signature and he creates Israel.
Hubris is always an invitation, isn't it?
PICTON: A bloody noose is what it is.
(SNIFFS)
This insider of yours.
You're sure they'll play ball?
Mmm.
There've been enquiries into the Professor's schedule, yes?
Some hack from a pro-Israeli rag rang.
Called himself Hershovitz.
Wanted to do a piece on our professor's visit.
And did the faculty give this Mr Hershovitz
her full schedule?
Well, what do you think?
Has word spread about the flood in the basement?
We're not amateurs.
Oh, well, thank you.
(EXHALES SHARPLY)
When the dust settles,
I don't want a whiff of you or your kind.
Not in the news, not in the official reports, not anywhere.
And all your men will be issued with these.
My kind?
Well, no one lies with a smile on their face like your lot.
And for the record,
I don't like being handed this on a plate,
least of all by you.
I want them back.
Charlie will be in her element now.
On stage.
In her greatest role.
Too great.
You think she's gone over?
So, my sister says you're ready, Charlie.
Are you?
If she has?
Then we will do what is necessary.
Yes, Gadi.
What we have done a hundred times before.
Not me.
Not this time.
If she turns, she turns away.
Do you know why I brought you back in, Gadi?
Because you are gifted with a special, single talent...
Doubt.
When we have Khalil,
you will remember your pride.
I was happy-
You were bored.
Show me the wiring.
SHIMON: Gadi.
I asked Rachel about the thread bracelet.
She told me it was black and white.
But I guess it's still on her right wrist.
Thank you.
We have to use these.
KHALIL: What do you think of this Professor Minkel?
She wants peace.
I think she's a good person.
Maybe she is.
So why kill her?
Because her hope is a fantasy.
I told Salim many times
a woman cannot be trusted just because you go to bed with her.
And what about a man?
A man cannot be trusted ever.
Why did he tell you my name?
Because he loved me.
And he loved you.
I had three brothers, you know.
Now I have none.
You have a family?
You know.
Do this just once,
and you will always have one.
How did it feel, please, to kill the American traitor?
- I didn't kill him. - You did.
It was horrible.
Good.
If a man's life is not significant,
what is the point in taking it?
(YAWNS)
KHALIL: I am boring you?
No. No. Sorry.
It's nerves.
It's the same with the theatre when I'm about to go on.
Feel like I could sleep for 100 years.
(YAWNS)
(CHUCKLES)
I feel that the Israelis are close, you know?
All the time.
I imagine they have someone moving the pieces to get to me,
someone whose mind has been carved away to obsession
by his decades of battle.
He knows me, but I don't know him.
In my head, I've made him into a devil,
a dybbuk from their texts.
Because without that, I wouldn't be afraid of him.
(SIGHS) Listen to me. I'm going on like an old man.
(CHUCKLES)
Did Salim like horses?
They terrified him.
Our grandfather had one.
He had to sell it.
Why?
To buy a gun.
(ELECTRICITY HUMMING)
You're too young to be a widow.
Professor Minkel begins speaking at 5:30.
I shall set it for 5:30.
And the hall will be full.
Yes.
But maybe she will try the latch before.
I have put a trigger there, too.
If the briefcase opens,
it will explode instantly.
Always two things.
Where did you hear this?
From Salim.
"Two bullets.
"In case the world's still alive."
Salim was a kid.
Too much with women, cars, poetry, watches.
We're not the same thing, you know.
Women and cars.
(SCOFFS)
Show me your hand, please.
You don't have to do this, Charlie.
You can go back to your old life now if you want.
I won't come after you.
(sums)
KHALIL: The clock is ticking.
Will I see you again?
That cannot happen.
Mmm.
Wish me luck.
(INHALES DEEPLY)
(INDISTINCT TALKING)
PICTON: Peace is more popular than your lot thought.
The British always have the solution to other countries' problems.
Perhaps you should try listening for once.
Oi, you can't stop here. Move on.
CHARLIE: All right, all right. Okay. Sorry.
We're going.
(CAMERAS CLICKING)
MAN: This way, sir. This way.
(SOUTH AFRICAN ACCENT) Excuse me. I have Professor Minkel's briefcase.
Ticket?
I... I don't have one. This belongs to Professor Minkel.
There was a mix-up. It was swapped by mistake.
Oh, side entrance.
- Who's in charge of security here? - John Kemp.
John Kemp. Okay. Thank you.
Ambassador, how nice to meet you.
Excuse me. Excuse me. Hi.
The lecture's about to begin. No one's coming in this way.
I know, I know, but someone needs to take this up to Professor Minkel.
There's been a mix-up. I took hers by mistake,
and it's probably got her speech in here.
Please, please!
John Kemp on the front doors said that you'd take it in.
He said it was fine.
Make it quick, okay?
-(SIGHS) Thank you. - Sixth floor.
Thank you, thank you.
I know.
(NORMAL ACCENT) The timer's set for 5:30,
and there's a trigger on the latch, too.
Come.
Gadi. Gadi.
Trust me.
What the hell?
- Play the scene, Charlie. - The bomb, it's set for 5:30.
Play the scene.
What?
Charmian Ross? You sneaky shit.
- I'll take that. - KURTZ: No.
I'm so sorry for the inconvenience.
I think our cases got switched.
Thank God. I would have had to make it all up.
This is yours.
I'm so glad I caught you before you went on.
Best of luck with the speech.
Thank you.
NOW?
Yes.
(EXHALES SHARPLY)
Out.
- Meadows, look after the ladies. - Yes, sir.
What the hell are you playing at?
What does it matter to you? We run this.
- Bravissimo, Charlie. Now... - I met Khalil.
What?
And he wants to see me again.
How can you be so sure?
Because he's falling in love with me.
I see.
Well, thank you.
Thank you for telling me that, Charlie.
Come on. Come on.
All of you.
Gadi, this changes everything.
We follow her tonight.
And take him, but don't kill him.
No, we let them run.
Deep cover. We will have her by his side
as he becomes the leader of his people.
That could take years.
No, can't you see, Gadi?
Can't you see what a big future he has?
We could pull in every contact, every cell.
No, you can't do that to her.
Give her the location transmitter, tell her to remove the batteries.
If she is in real danger tonight,
we will come in if he's not so loving as she thinks,
but otherwise...
we leave her.
Charlie, Gadi will brief you.
The second you leave here you're back in play.
Forget everything you just saw but the fiction.
We built in a location transmitter now.
You'll be listening?
We can't be that close.
We need to follow you unseen.
You take the batteries out, I'll come running.
Cutting the signal will be the signal.
- Okay? - Signal for what?
Come on.
CHARLIE: What did Marty say in there?
The signal for what?
That he's asleep.
Call me in as soon as he's vulnerable.
Put him at ease.
Put him at ease?
Charlie.
- How? - Trust me.
It's the only way we can finish this.
CHARLIE: You want me to fuck him?
Go on. Say it!
Give me an order for once.
- You need to keep a clear head. - Sir. Head clear, sir.
Legs open, sir.
What will you do with him?
Will you kill him?
He's beautiful.
Did you know that?
ROSSINO: What took you so long? CHARLIE: Nothing!
Just some pig. Go.
(BREATHING ECHOES)
(SIRENS WAILING)
(ALARM RINGING)
(INDISTINCT SHOUTING)
WOMAN: This way.
(PEOPLE COUGHING)
Follow that lane.
Look for the first house on your left.
(MONITOR BEEPING)
Slow down. She's on foot.
(DOORKNOB RATTLES)
How was it?
Take me through it, please.
They... They... They wanted a ticket.
So I had to go through a side door.
Police?
Two, but one tried to stop me.
They made me take it in, and then I ran down a corridor.
You gave it to her yourself?
Uh-huh. She was backstage in a room, nervous.
She had... Had a bead of sweat on her brow.
Because of the speech?
She said, "Thank God," she'd have had to make it up herself.
What happened to her?
She died.
Ah.
She's moved.
Changing observation point.
(TV PLAYING)
REPORTER: I'm at the scene of the gruesome attack
at the Polytechnic of Greater London,
and I have with me Chief Inspector Picton.
PKZTON: We're looking for one woman in particular.
She was wearing a duffel coat.
A dark wig discarded at the scene suggests that the girl was blonde.
She was of medium build, wearing spectacles,
and, um, speaking with a South African accent,
which is probably fake.
Bastard.
Did you really leave the wig?
I'm sorry.
You are a little bit at risk, it seems.
REPORTER: ...treated for wounds, and his family is offering...
(TURNS ON RADIO)
(MUSIC PLAYING ON RADIO)
- I think we deserve a drink. -(CHUCKLES)
God, yes, I'm dying for one.
(BEEPING)
Have you ever fished in the dark, Charlie,
with a lamp, catching the fish with your hands?
With my hands?
No.
I took these two boys on a mission into the Galilee long ago.
We were crossing the sea in a rowing boat
and the night was so beautiful
that they lost all sense of what they had come for.
And what did you do?
I let them fish.
(CHUCKLES)
Was that Salim?
I completed the mission alone.
I'm tired.
Aren't you?
I don't sleep.
(LIGHTER CLICKING)
In your letters to my brother you said,
"Your head on our pillow and your gun beneath it."
Yeah.
He made me sleep with your gun under our pillow.
(EXHALES SHARPLY)
Only cowboys sleep like that.
You must keep it at your side where your hand is.
I made him promise.
Maybe he liked breaking your promises.
And look at him now.
Come here.
No.
Please.
It hurt you so much, killing these people?
No.
No. They're murderers. They're... They're pigs.
Shh.
You're trying too hard to hate them.
Again.
(GADI slsl-ls)
Stop.
You don't have to do this, Charlie.
(BOTH BREATHE HEAVILY)
(EXHALES)
(BREATHES HEAVILY)
(BOTH MOANING)
(MONITOR BEEPING)
(RADIO PLAYING INDISTINCTLY)
Any signs of them leaving?
No.
KURTZ". Remember, we let them run.
We don't move unless she calls us in, Gadi.
(MONITOR CONTINUES BEEPING)
(RADIO PLAYING INDISTINCTLY)
Where are you going?
I'm gonna go turn that off.
I don't want to hear that now.
(FLOORBOARD CREAKS)
REPORTER: (ON RADIO) ...number of casualties,
but it is expected to be a dozen, if not more.
No group has taken responsibility for the attack,
but as the Israelis...
(RADIO TURNS OFF)
(BEEPING)
(CLATTERING)
(BEEPING CONTINUES)
How did you pick up this?
I didn't.
It was the Zionists.
Jordanians.
Syrians.
Our friends are here.
Picton's men. They followed us.
They blocked the perimeter. Nothing's coming in or out.
(GROANS)
They'll ruin everything.
Tell them to open it back up.
Everything must play as usual.
Understood.
CHARLIE: What... What is it?
The milkman comes every morning.
Yeah, it's... It's too early.
No. 6:15 every day.
Maybe he's running late?
Why would he be late?
Why do you provide excuses?
I'm not.
I'm just... I'm trying to comfort you.
Why would you wish to comfort me?
Why would you be frightened for me?
What guilt is in your mind?
Turn it on, your little radio.
Uh... (EXHALES SHARPLY)
Turn it on, please.
(MUSIC PLAYS INDISTINCTLY)
See?
Bring it to me.
Since last afternoon, you haven't had much time to yourself.
None.
Then why is this radio working?
These radios, they run on batteries, yes?
Yes, Khalil.
Wait.
Why?
Turn, please.
All the way around.
(BEEPING)
Please don't.
(STATIC)
(BEEP)
Signal's cut. Signal's cut.
What do you see, Gadi?
If you've had no time to yourself,
then how are these here now?
They... They... They must've switched it.
- They? - Yeah, the police.
They... They checked my bag when I gave over the case.
You didn't say this.
Gadi?
Tell Picton's men to surround the house.
No one goes in without my signal.
Go.
Gadi?
(CHARLIE PANTING)
Tell me the truth.
(BREATHING HEAVILY)
It's over.
That's... That's the truth.
That was the signal.
I was... I was meant to wait until you were asleep.
- We built the bomb. I saw the news. - No, you saw the fiction.
KHALIL: Who are you working for?
- The Germans? The British? - No.
KHALIL: The Zionists?
Are you Jewish?
No.
Then what are you?
Um...
I'm an actress.
So you don't believe in anything?
(GASPS)
My brother.
No, I never... I never met him. (SNIFFLES)
I never met him. I only saw... I saw him once.
- You killed him? - Before they...
I'm so sorry.
I hope it was worth it.
(sums)
-(GUNSHOT) -(GASPS)
(GUNSHOTS)
(HIGH-PITCHED RINGING)
Are you okay?
(SOBBING)
KURTZ: Gadi.
HGT ON". Dear, oh, dear.
Don't worry, old boy.
We'll ship him back to Tel Aviv for you.
No questions asked.
(sums)
Here.
(CHARLIE SOBS)
Can I... Can I have a ci... Um, a cigarette?
Can you remember what he said to you, love?
Hmm?
Yes.
That's good.
We'll talk about that in a bit.
Can you remember further back?
Can you remember Lebanon?
Yes.
What did you see out there?
(INAUDIBLE)
Coordinates confirmed.
33!44!38.4N,
3312511'! DE.
(DEVICE BEEPING)
(ROCK MUSIC PLAYING)
-(GUNSHOT) -(GASPS)
(MUSIC STOPS)
(GASPING)
(MEN CONVERSING IN GERMAN)
MAN: Danke, Herr Mesterbein.
- Goodbye. Tchuss. - Tch uss.
(HUMMING)
(SILENCED GUNSHOTS)
WOMAN: (ON EARPHONES) Positive ID on Rossino.
(PHONE RINGS AT A DISTANCE)
Pronto?
This is for Gabriel.
(INDISTINCT SHOUTING)
(BREATHES DEEPLY)
MAN: It's light.
Thank you.
Here.
(KURTZ slsl-ls)
Amsterdam.
Last week.
Fifteen dead.
You got us closer than anyone, Charlie.
Why did you have him killed?
That was not my order.
Khalil would have gone on to become so much more than a terrorist.
(SCOFFS)
And Gadi stopped it.
You cannot stop the devil.
Only the man performing him.
How is he?
He will not speak to me anymore.
Ah.
(BELLS TOLLING)
(MAN SPEAKS GERMAN INDISTINCTLY)
Danke.
(BABY CRYING IN DISTANCE)
(SIREN WAILS IN DISTANCE)
(GASPS)
(DOOR CLOSES)
Who are you?
Who am I?
One question at a time.
(CHUCKLES)
Subtitles (English SDH): Deluxe
English -SDH